Onevultureoneowltworeeds’s Weblog
Just another WordPress.com weblogArchive for July, 2008
Yorkshire…pyramids? But Mum, I wanted pudding…
After an epic five hour train journey from London – with a three hour lay-over in the middle of nowhere, i.e. Retford – I have made it to the inside of York’s fine, fine city walls. This place is truly stunning – equally as magical as I remember as a kid. For someone who gets giddy knowing that half the buildings in Penryn are older than the contact history of my country, just imagine what the shambles of York are doing to my endorphins…
I’m all set to go for tomorrow’s interview with JoAnn Fletcher – and hopefully i won’t suffer the same technical woes I did at the BM. I have the time and the place, I’m armed with questions (and have stacks more unrelated questions about her fascinating work which I’ll be sure to fit in somehow!) and a well-thumbed copy of her somewhat controversial book, The Search for Nefertiti (well, what else do you do in Retford but read…).
I’ve also have a bit more luck on the email front. I think i’m beginning to break down the hard nuts at the BM who might – might – talk to me between now and my eightieth birthday. Really I just want to talk to Dr Parkinson about that Stone… good lord, it’s like nailing jelly to a wall, pulling teeth from a chicken and, in a way I imagine an over-excited journo at The Sun might put it, drawing blood from a (Rosetta) Stone. (Yes, Carrie, that one was for you).
I also had word from Benjamin Ward – the talkative young chappie from Brunswick Arts Consulting (the PR group building a media fortress for the Hadrian exhibition). He nicely emailed me a list of the journalists invited on the press trips to Tivoli – Hadrian’s top notch holiday villa in the Italian province of Lazio…and still quite a nice holiday spot for the 21st century… I must make a point of seeking out their press coverage of the Hadrian exhibition – commonalities maybe? Positive reviews? Not that I could be drawn on anything even if ALL their reports are glowing – the exhibition is quite spectacular in itself. But still, it will be interesting to see if they do, as Ben put it, “get a better feel for Hadrian” after having also experienced his favourite holiday spot.
Well, that’s it until tomorrow. Just as an aside – and in continuation of Amy’s Hostel Review of Britain – York International Youth Hostel is even better than the place in London. It’s set in a massive Victorian-era mansion just up the Ouse… And I’ll even let the 35 minute hike from the train station be offset by the history of it all. Excited just thinking about it… xx
Hadrian’s new home under the dome
I’m mp3′d, emailed, phoned and audio’d out…and it’s only 3pm. This reporter-on-the-run thing has no coffee breaks! Plus i’m probably buzzing with a mix of excitement (at having spoken to curators, critics and clerics at this morning’s press preview for the new Hadrian exhibit at the BM) and frustration (at not being able to record everything I wanted to from the exhibition because the compact flash in my M-Audio packs it in after 27 minutes). So really I want to dance around my hostel-cell with my M-Audio…and then slam it through the wall…
As one of two hundred journalists at the BM this morning I have to say I was impressed by what I saw. It would be hard not to be. Audio guides with narration by BM Director Neil MacGregor and curator Thorsten Opper, dimmed lights, poetry and prose etched across the walls of the exhibit (combined with the ancient writings etched on parts of Hadrian’s own wall!), gigantic marble sculptures, the minutae of papyri parchments, a scale model of Hadrian’s villa in Tivoli sprawling beneath a 10-foot cinema screen showing images of the resplendent ruins themselves… all nicely packaged underneath what, for all intents and purposes, is a Hadriatic Dome itself: the British Museum’s former Round Reading Room. (Try saying that a dozen times fast…)
But, beyond the chic design (which competes in scale with the O2 exhibit but clearly targets a more sophisticated spectator) there were a number of interesting things to note.
Firstly, the rich potential for interview talent present under the same dome. I managed to get interview with Angus Stewart (fellow Antipodean and Head of the British sector of the International Assoc of Art Critics), Benjamin Ward from Brunswick PR (charged with marketing and push, push, pushing the exhibition to journalists and museum-goers), Tom Devonshire-Jones (a cleric, reportedly…I may have to google him), Jim Kennedy (a somewhat eccentric American antiquities dealer) and Thorsten Opper (the exhibition’s chief Curator!). However, I did also record a great interview with Assistant Curator Charo Rovira which my M-Audio took an apprent disliking to… not to worry. I scored an email address and an in-road to further interviews.
They made some interesting points – everything from the spectacularly appropriate setting to the modern political relevance of the exhibition (Hadrian was the Roman Emperor who, among a great many other feats which include building the Castel Sant’Angello and commissioning the Pantheon in Rome, first expelled the Jews from the Holy Land 2000 years ago, supressing an uprising and granting Judea a new name – the contemporary “Palestine”).
One of the most interesting things to emerge was the general opinion on audio guides. As Angus Stewart pointed out, the guides lead you through the exhibition – yet audiences end up engaging less with the artefact and more with the audiophone. Also, they have a tendency to ‘lead’ you to a popular conclusion – and allow an ideology to be placed on the exhibition’s theme – in this case, the memory of Hadrian.
Looking around, it was true. The overwhelming theme to emerge from the exhibit was Hadrian’s homosexuality. Branded on the wall, in a section devoted entirely to Hadrian’s offsider Antinous:
Hadrian had a young Greek lover called Antinous. For the Romans homosexual relationships were not unusual, but the intensity with which Hadrian mourned Antinous’ premature death and encouraged his cult in the eastern empire was without precedent.
So, “Hadrian: the great Emperor, not only did he build the wall up north, but he was gay at the same time” seems to be the take-home message for viewer’s of the BMs latest project. Indeed, it was a theme which featured heavily on Sunday night’s BBC documentary.
No doubt the show’s producers were part of the Hadrian press junket. Interesting, isn’t it, that a Museum constantly fighting for funding would cough up for an exclusive press trip (for only half a dozen top journalists) to visit Hadrian’s villa in person. Escorted by the exhibit’s curatorial staff, it was thought the trip would give the influential journalists a “better feel for the exhibition”. Just in case they couldn’t get that from the exhibition itself – is it not enough to be wowed by the amazing artefacts and exhibition space like the rest of us?
Anyhow… I must be off. This afternoon I feel there’s a need to explore the possibilities of the “private” museum – completely self-indulgent and with no public agenda.
If my legs can carry me there…!
{AMY: [Roman salute to computer terminal]}
xx
To York we go…
Now that i’ve finally got myself into gear with this blogging – and sorted out my widgets from my .wavs and title bar pixel widths – I guess you’ll want to know what I’m up to. Well, looking in my diary, there’s a note that says “Monday July 21: 9.08 train to London”. From the complete lack of packing I’ve done, and my intention to spend Sunday’s last rays of daylight walking down to Penryn to get a copy of Vogue, you wouldn’t know I’ve got a train to catch in the morning. However, it does make a nice excuse for keeping this blog short and sweet.
So I’m at the beck and call of First Great Western tomorrow – and hopefully they’ll sit me next to a male model again, instead of the three ancient women I endured last time (who kindly explained what was wrong with the youth of today). It’s off to London for two days – where I plan to immerse myself in the British Museum and, if i ever find my way back out into Russell Square, the Victoria & Albert and Science Museums.

Crystal Skull at the BM
With my shiny new membership card for the British Museum and a contact in the press office I’m allowed to attend the press preview for the BM’s new Hadrian: Empire and Conflict exhibition. While I have been told I am not a priority in terms of speaking with curators on Tuesday at the event, hopefully I might be able to grab the exhibit’s guru Thorsten Opper for a second or two. Also, it will be a good chance to talk to arts correspondents and journalists about how they think the public’s appetite for history has changed.
At Denis’ kind suggestion, I also plan to get off to see the latest Indiana Jones flick. There’s been a bit of controversy about that crystal skull – a life-size carving the BM picked up from Tiffany & Co. in New York in 1897, and reportedly brought from Mexico by a Spanish officer before the French occupation. Made from a single block of quartz crystal, thought to have been an example of Aztec art and iconography in Mexico at a time when first contact with the Spanish was made in AD 1519, I’ll have to check out the fancy paperweight in room 27.
If you want to check out a little bit more on the crystal skull, or maybe you’ve thought of investing in a life-size crystal carving of Harrison Ford, check out http://www.britishmuseum.org/research/research_news/studying_the_crystal_skull.aspx or http://www.britishmuseum.org/the_museum/news_and_press_releases/statements/the_crystal_skull.aspx for the BM’s official position, or http://www.archaeology.org/0805/etc/indy.html for something a bit more glam (the Archaeological Institute of America’s attempt at Heat magazine style editorial).

Hadrian sculpture at the BM
From the original Indiana Jones (or as close as digital retouching can get Mr Ford these days) to what RadioTimes yesterday described as a man “striding through the desert like a modern-day Indiana Jones”: last night’s BBC2 documentary Hadrian was a good way to ease myself into MA mode. Presented by Dan Snow to coincide with the BM exhibition, the show set about “uncovering the genius and the dark side of Hadrian: peace-maker, frontier-builder, star-crossed lover, architect – and ruthless oppressor of the jews”.
Considering I am going to see the press preview, it was most interesting – and fairly entertaining in a Tony-Robinson-kind-of-way (no, not the motivationally-speaking Yankee, I refer to the C4 history buff and ex Blackadder star). To catch it on iplayer (it is worth it) just head to http://www.bbc.co.uk/iplayer/episode/b00cr3by. But you’d better be quick….
If you do miss it you’ll have to settle with the BBC News & Current Affair’s pre-exhibition plug at http://news.bbc.co.uk/1/hi/entertainment/7516157.stm.
But for now…. it’s off to do some packing. And I am actually going to York, on Wednesday, to interview Dr JoAnn Fletcher at the University of York. I probably intended for that to be the main point of this posting… but It would seem I got a little carried away.
As Teal’c would say: Indeed. Xx.









![Tutankhamun and the Golden Age of the Pharaohs [2006] – narrated by Omar Sharif…woo! Tutankhamun and the Golden Age of the Pharaohs – Exhibition DVD [2006]](http://www.tutankhamunexhibition.com/acatalog/tut-golden.jpg)